General Meetings

CHH meets as a memberships the third Saturday of the month, August through May.

On occasion, meetings are moved due to holidays or other events,
so please check the calendar.

General meetings feature a fiber-based program and business meeting to inform members of current happenings.

Nicole DeRushie
Saturday, May 16

10:00 a.m.

@
Guild House

 

Members may click here for zoom link (must be logged in).

Meeting ID: 298 814 7310
Passcode: weave

Nicole DeRushie is our May guild meeting speaker and will be joining us via Zoom. She is a historian and fiber artist living in England who researches Bronze and Iron Age practices, including fiber production and use.

Nicole is the author of Bog Fashion a one-of-a-kind book that includes patterns and instructions for recreating 13 ancient garments and accessories.

Upcoming Programs:

 

TBA!

Meetings are located at:

Guild House
1425 Blalock #202
Houston, TX 77055

Past Programs

Abdulrasheed Abiodun Muhammed 
Saturday, April 18

Abdulrasheed Abiodun Muhammed was our April guild meeting speaker. Abdulrasheed has this to say about his practice and presentation:

Muhammed Abdulrasheed Abiodun was born into a family of weavers. My father, siblings and extended family members are all actively involved in the craft. I often say that I started weaving from my mother’s womb, as it has always been a part of my environment and identity.

I began weaving at a very young age, initially driven by the natural enthusiasm of watching and imitating my father and older siblings. By the age of seven, I was already weaving more intentionally under my father’s guidance. Around 2010, during the introduction and growing use of metallic yarns from China, I further developed my skills under the mentorship of my elder brother to further adapting to new materials and evolving techniques within the craft.

For many years, weaving was something I did purely for enjoyment, without fully understanding its depth or significance. However, this changed during my time at the university. In my late second year, I began to see the aso-oke weaving beyond a casual skill. I started to appreciate it as a cultural heritage and a viable path for impact. This realization led me to intentionally build a brand around the craft and to actively promote its relevance, tradition and future.

In 2018, during my third year, I selected Aso-oke weaving as my focus in a Graduate Skills Employment (GSE) course. This decision marked a turning point for me, as I not only participated as a student but also took on the role of a trainer, leading and teaching over fifty colleagues. This experience strengthened my commitment to knowledge sharing and positioned me as both a practitioner and an educator within the textile space.

Since then, my work has expanded across teaching, advocacy and innovation. I have trained weavers and vendors, contributed to conversations on textile and culture, and engaged with global audiences through speaking opportunities, including international textile programs. I have also initiated community-based training focused on preserving traditional pattern weaving techniques such as Aso Olona (Pattern Weaving) to ensure that these indigenous designs are not lost to time.

 Jennifer Moore
Saturday, March 21

After experimenting with various structures for several years, I found my home in the ancient technique of doubleweave pick-up. In doubleweave two layers of cloth are woven simultaneously, one above the other on the loom. Through the exacting process of hand pick-up, I exchange threads between the two layers, building original designs onto the underlying grid. By blending numerous colors together in both my warp and weft and playing one layer against the other, I am able to create a nearly limitless range of subtle color gradations.

Over the years I have developed new methods of setting up and weaving doubleweave that I feel make it accessible and understandable for all weavers. As much as I love practicing the art of doubleweave, nothing brings me greater joy than sharing it with others. I travel extensively throughout the U.S. and abroad teaching workshops on doubleweave, color and geometric design. My techniques and systems for working in doubleweave can also be found in my book The Weaver’s Studio: Doubleweave Revised and Expanded and in my online courses.

  Pauline Greuell
Saturday, February 21

Pauline Greuell is a fabric designer, printer and teacher from the Netherlands. She is self taught and works with a layered stencil printing technique that she has developed and thoroughly explored over the years. It is a technique that she loves to express herself on fabric as it allows for many different effects and variations in texture, in depth and in movement. The slowness of this way of designing and printing forces her to be really deliberate about what she creates.

For inspiration she mostly looks at nature and also at designs from bygone style periods – for example at the Wiener Werkstaette and several Mid Century Modern designers – when patterns were exclusively designed by hand. There is a playfulness and sense of freedom of expression in the designs and the movement in many of these patterns that she finds enormously inspiring.

  Cael Chappell

Saturday, January 17 

Cael Chappell presented “Baskets of Africa.” Cael Chappell has been working with weavers in Africa since 1991. Emanating from his deep understanding of traditional African basketry, he quickly developed his own unique style of whimsical weaving from waxed linen thread. His improvised miniature and small baskets exhibit personality and life to engage viewers.

Cael was selected as one of Fiber Art Network’s 20 Emerging Artists in 2020 and for Excellence in Fibers 2024. His baskets have been juried into many National Basketry Organization and Handweavers Guild of America exhibits. He was invited to participate in an Australian show called “Redefining the Basket” and also an invitational exhibit with the American Tapestry Alliance.

His work has been featured in many other exhibitions and publications. Cael enjoys teaching and is writing a book on twining in waxed linen thread. He often does presentations to weaving guilds and groups across the country.

2025

January 18 Theo Rooden
February 15 Haptic & Hue with Jo Andrews
March 15 Communing with Plants with Molly Koehn
April 19 At the Still Point with Kristin Marie Bachmann 
August 16 Treasures and Textiles from India with Tracy Kaestner and Laura Viada
September 20 Elin Noble
October 18 Manis Sakesena of Aadyam Handwoven
November 15 Angie Parker

2024

January 20 Wire as Fiber with Christine Miller 
February 15 Wedge Weaving with Connie Lippert
March 16 My Weaving Journey in Print with Tracy Kaestner
April 20 Imiloa Collective with Priya Ramkissoon
August 17 The Fabric of our Civilization with Virginia Postrel 
September 19 Warping the Fabric of Time: New ways of looking at an ancient technique with John Mullarkey
October 19 Felt . . . An Ancient Material for Modern Creations with Dawn Edwards 

2023

January  21 Bead Weaving: Up Close and Personal, with CHH members Pat Powell (bead weaving on a loom), Peggy Friedrichs (off-loom bead weaving), Carol Moseley (nettingw ith beads), and Diane Ferguson (bead embellishmen for handwoven)
February 18 Basket Weaving with Mary Brown 
March 16 Japanese Kasuri (Ikat) and. Indigo Dye with Marilyn Robert
April 15 Tapestry, presented by the CHH Tapestry Group with Blaine Davis
May 20 Artist talk by Margot Becker, HCCC Artist-in-Residence
August 19 Arabic Weaving with Mahmoud and Alyssa
September 16, Wild Silk with Karen Selk
October 19, Silk Reeling with Michael Cook
November 18, Artist Talks with HCCC Residents Terumi Saito and Qiqing Lin 

2022

September 17 The Boro Phenomenon by Yoshiko Wada
October 15 Passementerie: An Endangered Yet Thoroughy Contemporary Craft with Elizabeth Ashdown